Photography found me before weddings did.

As a kid in Bangladesh, my father handed me a Fujifilm film camera — the one I learned to see through. Years later in Fiji, I saved through uni to buy my first professional Nikon. That's the camera I shot my first wedding on.

I'd always loved country and portrait work — the quiet kind, the unposed kind. But when I shot that first wedding, something clicked. The first look. The father seeing the bride before the ceremony. The bidai — parents and siblings in tears as the bride leaves home. It wasn't beautiful in a curated way. It was real in a way no portrait session could match.

The films I grew up loving — the ones that stayed with me, like Premam — worked the same way. Slow, nostalgic, honest about love. That's the register I wanted my photos to live in.

Sydney-based since. My team and I have photographed over a hundred weddings across Australia. Western, cultural, multi-day, intimate — the wedding type changes, the approach doesn't.